IN BETWEEN explores the zone of friction and continuity between craftsmanship and industry. Starting from the Eames Shell Chair by Vitra, the exhibition reveals how human gesture persists within industrial processes built on repetition.

Structured around the five stages of production (from drawing to deployment), it presents not the finished object, but the process itself: tools, materials, tests, and adjustments. The immersive scenography imposes a rhythm inspired by industrial production, where repetition becomes cadence.

The chair appears as a result rather than an icon, embodying the unstable balance between standardization and variation, mechanical control and human responsibility.

IN BETWEEN thus proposes a reading of design as an active, living process, composed of gestures translated into matter, always in transition.